Cairo Event: PhotoCairo 5 'more out of curiosity than conviction' (14 Nov - 17 Dec 2012)

[Installing Iman Issa`s new piece `Illustrations for Future Narratives` at CIC.] [Installing Iman Issa`s new piece `Illustrations for Future Narratives` at CIC.]

Cairo Event: PhotoCairo 5 "more out of curiosity than conviction" (14 Nov - 17 Dec 2012)

By : Michelle Woodward

Cairo Event:

Photo Cairo 5: more out of curiosity than conviction
14 Nov – 17 Dec 2012

Photo Cairo 5: more out of curiosity than conviction is a large-scale contemporary art project in Downtown Cairo.

Exhibition :

14 November-17 December 2012
Preview: 8pm, 14 November
Artists: Mohamed Abdelkarim, David Degner, Ahmed El Ghoneimy, Samir ElKordy, Saskia Holmkvist, Iman Issa, Hassan Khan, Basim Magdy, Elizabeth Price, André Romão, Ben Russell, Hanaa Safwat, Sarah Samy, Noura Seif, Mahmoud Tarek, and Sama Waly

Venues:
Townhouse Factory Space (information point)
Contemporary Image Collective (CIC)
Mahmoud Bassiouny st shopfront

PhotoCairo 5 is about ways in which reality is splintered and shifts of subjectivity are made. Involving international and local, emerging and established artists, this exhibition explores the ability of art to trigger affective responses within the viewer.

PhotoCairo 5 explores forces at play in reshaping reality, such as paranoia, the act of recognition, and altered states of consciousness. Bodies, materials and knowledges radically unreconciled to their political, architectural, institutional surroundings appear across the show: from the tale of a hysterical dancing spree near the site of the European Parliament, to an impossible monument to the revolution, and the absurd power dynamics of a re-enacted citizen`s arrest gone wrong.

The project takes its title from a passing comment in Harun Farocki’s Videograms of a Revolution, in which existing footage of the Romanian revolution of 1989 is narrated with attention to the position and motivations of the person filming. The comment refers to the decision – more out of curiosity than conviction – of a state TV camera operator to "glance" the camera sideways at an emerging protest, against instructions. Farocki’s treatment of the material calls attention to this gesture over the depicted event. If art is to handle "revolutionary acts," here the camera operator`s innocent curiosity and bodily uncertainty takes the place of grand representational gestures, yet crucially, allow us to witness the awakening of a radical reality.

Symposium:

17 November, Goethe Institut, Bustan St
Contributors: Mia Jankowicz; Angela Harutyunyan; Malak Helmy; Noura Seif, Mahmoud Tarek, Sarah Samy, and Sama Waly; Basim Magdy, Jasmina Metwaly, and May Al-Ibrashi; Hassan Khan.

Since early 2011, in common with many of their international colleagues, Egyptian artists have been subjects of a debate concerning their relationship to politics as artists, activists, or citizens.

This symposium aims to expand upon the oft-cited truism that it is nearly always "too soon" to make art—not because this sentiment is not usually true, but because it tends to foreclose a reflection on what nevertheless goes on as a creative process in the exceptionally exciting "too soon" moment anyway. Through examining this critically neglected space, and from a position of near-exhaustion, we might locate a link between the revolutionary moment and the artistic one.

Screening programmes:

Harun Farocki screening programme
24-28 TBC November, Beirut
Harun Farocki is a German filmmaker and artist best known for his experimental documentaries produced since 1969. In more than a hundred films and installations he draws our attention to the visible and invisible complexities of everyday life, consistently pushing formal boundaries with the persistent eye of a critical observer to raise questions dedicated to social coexistence, power relations, politics, the cruelty of warfare, and the growing dominance of capitalism. With his distinctive camera and montage techniques Farocki assesses the fabrication of perceptual habits and how it is altered by the advent of new technologies. In collaboration with Beirut, Cimatheque and the Goethe Institut, PhotoCairo 5 will present a series of screenings of Farocki`s works. The recurring theme of labour is the subject of the long-term international research project "Labour In A Single Shot" started jointly with film critic and curator Antje Ehmann. It entails a series of filmmaking workshops, the most recent being Cairo, realised by Beirut in cooperation with CIC, Cimatheque and the Goethe Institutes in Cairo and Alexandria. The screening programme will segue the concerns of the workshop and PhotoCairo 5.

The Edge of the Image screening programme
5-11 December, Cimatheque
The Edge of the Image is a work in progress programme that observes the filmmaker`s attempts to deal with the technological transitions of the medium throughout the history of cinematic language. Through five films and a discursive platform, and in the context of a time of larger transitions, this programme re-questions the transitional periods in cinema history, and investigates moments when the image has pushed its edge and risen up against its given boundaries.

Mentorship programme:

In keeping with the educational remit of many Egyptian art institutions, and with CIC`s investment in peer mentoring in the last months, a number of artists are engaging in a process of peer mentoring in order to develop works specifically for PhotoCairo 5. Artist Doa Aly has mentored the artists Sara Samy, Noura Seif, Mahmoud Tarek, and Sama Waly. This process is also a form of research for Aly, who has been commissioned to write a text noting the tensions and issues of the formation of young artists; the process is a critically concentrated version of arguably the most successful way artists are `trained`: talking to other artists. The commissioned works can be found in the exhibition, and Doa Aly`s text will be published alongside the PhotoCairo 5 catalogue in March 2013.

PhotoCairo 5 is dedicated to the memory of Shaymaa Sabra, beloved member of the CIC staff who passed away on 28 October 2012.

For more information see the PhotoCairo 5 Facebook page.

Past is Present: Settler Colonialism Matters!

On 5-6 March 2011, the Palestine Society at the School of Oriental and African Studies (SOAS) in London will hold its seventh annual conference, "Past is Present: Settler Colonialism in Palestine." This year`s conference aims to understand Zionism as a settler colonial project which has, for more than a century, subjected Palestine and Palestinians to a structural and violent form of destruction, dispossession, land appropriation and erasure in the pursuit of a new Jewish Israeli society. By organizing this conference, we hope to reclaim and revive the settler colonial paradigm and to outline its potential to inform and guide political strategy and mobilization.

The Israeli-Palestinian conflict is often described as unique and exceptional with little resemblance to other historical or ongoing colonial conflicts. Yet, for Zionism, like other settler colonial projects such as the British colonization of Ireland or European settlement of North America, South Africa or Australia, the imperative is to control the land and its resources -- and to displace the original inhabitants. Indeed, as conference keynote speaker Patrick Wolfe, one of the foremost scholars on settler colonialism and professor at La Trobe University in Victoria, Australia, argues, "the logic of this project, a sustained institutional tendency to eliminate the Indigenous population, informs a range of historical practices that might otherwise appear distinct--invasion is a structure not an event."[i]

Therefore, the classification of the Zionist movement as a settler colonial project, and the Israeli state as its manifestation, is not merely intended as a statement on the historical origins of Israel, nor as a rhetorical or polemical device. Rather, the aim is to highlight Zionism`s structural continuities and the ideology which informs Israeli policies and practices in Palestine and toward Palestinians everywhere. Thus, the Nakba -- whether viewed as a spontaneous, violent episode in war, or the implementation of a preconceived master plan -- should be understood as both the precondition for the creation of Israel and the logical outcome of Zionist settlement in Palestine.

Moreover, it is this same logic that sustains the continuation of the Nakba today. As remarked by Benny Morris, “had he [David Ben Gurion] carried out full expulsion--rather than partial--he would have stabilised the State of Israel for generations.”[ii] Yet, plagued by an “instability”--defined by the very existence of the Palestinian nation--Israel continues its daily state practices in its quest to fulfill Zionism’s logic to maximize the amount of land under its control with the minimum number of Palestinians on it. These practices take a painful array of manifestations: aerial and maritime bombardment, massacre and invasion, house demolitions, land theft, identity card confiscation, racist laws and loyalty tests, the wall, the siege on Gaza, cultural appropriation, and the dependence on willing (or unwilling) native collaboration and security arrangements, all with the continued support and backing of imperial power. 

Despite these enduring practices however, the settler colonial paradigm has largely fallen into disuse. As a paradigm, it once served as a primary ideological and political framework for all Palestinian political factions and trends, and informed the intellectual work of committed academics and revolutionary scholars, both Palestinians and Jews.

The conference thus asks where and why the settler colonial paradigm was lost, both in scholarship on Palestine and in politics; how do current analyses and theoretical trends that have arisen in its place address present and historical realities? While acknowledging the creativity of these new interpretations, we must nonetheless ask: when exactly did Palestinian natives find themselves in a "post-colonial" condition? When did the ongoing struggle over land become a "post-conflict" situation? When did Israel become a "post-Zionist" society? And when did the fortification of Palestinian ghettos and reservations become "state-building"?

In outlining settler colonialism as a central paradigm from which to understand Palestine, this conference re-invigorates it as a tool by which to analyze the present situation. In doing so, it contests solutions which accommodate Zionism, and more significantly, builds settler colonialism as a political analysis that can embolden and inform a strategy of active, mutual, and principled Palestinian alignment with the Arab struggle for self-determination, and indigenous struggles in the US, Latin America, Oceania, and elsewhere.

Such an alignment would expand the tools available to Palestinians and their solidarity movement, and reconnect the struggle to its own history of anti-colonial internationalism. At its core, this internationalism asserts that the Palestinian struggle against Zionist settler colonialism can only be won when it is embedded within, and empowered by, the broader Arab movement for emancipation and the indigenous, anti-racist and anti-colonial movement--from Arizona to Auckland.

SOAS Palestine Society invites everyone to join us at what promises to be a significant intervention in Palestine activism and scholarship.

For over 30 years, SOAS Palestine Society has heightened awareness and understanding of the Palestinian people, their rights, culture, and struggle for self-determination, amongst students, faculty, staff, and the broader public. SOAS Palestine society aims to continuously push the frontiers of discourse in an effort to make provocative arguments and to stimulate debate and organizing for justice in Palestine through relevant conferences, and events ranging from the intellectual and political impact of Edward Said`s life and work (2004), international law and the Palestine question (2005), the economy of Palestine and its occupation (2006), the one state (2007), 60 Years of Nakba, 60 Years of Resistance (2009), and most recently, the Left in Palestine (2010).

For more information on the SOAS Palestine Society 7th annual conference, Past is Present: Settler Colonialism in Palestine: www.soaspalsoc.org

SOAS Palestine Society Organizing Collective is a group of committed students that has undertaken to organize annual academic conferences on Palestine since 2003.

 


[i] Patrick Wolfe, Settler Colonialism and the Transformation of Anthropology: The Politics and Poetics of an Ethnographic Event, Cassell, London, p. 163

[ii] Interview with Benny Morris, Survival of the Fittest, Haaretz, 9. January 2004, http://cosmos.ucc.ie/cs1064/jabowen/IPSC/php/art.php?aid=5412